Big Little Lies Season 2 In Early Development
Our girls are getting ready for an encore!
HBO is close to officially announcing a Season 2 for Big Little Lies. The premium cabler’s programming president Casey Bloys confirmed during the Television Critics Association’s summer press tour on Wednesday that he has asked author Liane Moriarity to “take a crack at” coming up with a story for a potential second season. “I’ll be very curious to see what she comes up with,” he added.
Emmy Award nominees Nicole Kidman and Reese Witherspoon have both expressed interested in continuing the story. But, executive producer / director Jean-Marc Vallée, who directed all seven Season 1 episodes, has been the sole naysayer.
[WPGP gif_id=”6252″ width=”600″]
Vallée: “There is no way; there’s no reason to make a Season 2. That was meant to be a one-time deal, and it’s finishing in a way where it’s for the audience to imagine what can happen.”
Bloys is a bit more positive that Vallée can be swayed. “I know [Jean-Marc] said that… but Nicole and Reese can be very persuasive. First we have to see the material and see if it’s worth everyone’s time. And if it is, [we’ll have a] conversation about directors.”
Maybe those 16 Emmy Award nominations and the boffo ratings Season 1 received might make for a convincing argument?
H/T: TVLine
Watch Henry Leave Storybrooke and Meet Cinderella in New ‘Once Upon a Time’ Sneak Peek
Remember when we told you about fans at Comic-Con getting to watch the first two scenes of Once Upon a Time season 7?
Well, that footage has been released.
The clip shows young Henry saying goodbye to Regina as he leaves home, and then adult Henry crashing into Cinderella’s carriage,
Check it out:
[embedyt] https://www.youtube.com/watch?v=pEVcq6mnCu0[/embedyt]
REVIEW: Midnight, Texas, Episode 101
I never watched True Blood, but I did hear great things about it, and for it to last 7 years it had to be cool. Since “Midnight Texas” is based on books by the same author (Charlaine Harris) I was hoping I could “atone for” not watching “True Blood” by watching this one. Let’s see how it will turn out.
Right in the first second of the pilot we are introduced to the main character: a psychic named Manfred Bernardo, who can talk to dead people. I thought the first scene was funny in a bit of a dumb way. Apparently Harold didn’t want his wife to move on from him as much as he said he did.
Because of some people that are after him, Manfred moves away. Following his dead grandmother’s advice, he goes to a town in Texas called Midnight. Like usually happens in supernatural shows, this town isn’t like the others. We learn later that it draws supernatural creatures to it. There they can lay low because the barrier between the living and the dead is thinner. But Manfred isn’t very lucky because we learn closer to the end of this episode that whoever is after him knows where he is.
It doesn’t take long for bodies to start piling up. Short after Manfred gets to Midnight he goes on a picnic and finds the body of Bobo’s fiancé (who had been missing for 2 weeks). Like most shows, the police doesn’t take long to start suspecting the new guy. Wanting to find out more about the murder, Manfred contacts Aubrey with an Ouija board and she tells him one word: “Pecados” (which is Portuguese for “sins”). In this scene things go terribly wrong but unfortunately it gets cut by a police officer who shows up in his house.
It also appears that every Midnighter either is a supernatural creature or knows about them. Like always happens on a pilot we are introduced to many characters, and here are the ones I think are the most important (since you can’t really know based only on a pilot): Lemuel, a vampire that not only feeds on blood, but also on emotional energy; Bobo, I am not yet sure if he is human or not; Olivia, this one is said to be human and she is also very experienced with weapons (at least guns and bow and arrow); Joe, a fallen angel; Fiji, a witch that kind of looks powerful (at least in the final scene); Mr. Snuggly, Fiji’s cat, which can talk; Rev. Emilio, who I am also not sure if he is supernatural or not, but who has a pet cemetery, which, for a Stephen King fan, has a weird special tune to it; and Creek, who is human and kind of that cliché character everyone loves to hate because she is so sweet and interested in the main character.
The episode ends with Bobo being arrested for Aubrey’s death and people aren’t too happy about it, especially not Fiji. We also see that Manfred’s house has become a much hunted house, consequences of the interrupted scene.
I didn’t have a lot of expectations for this show and I am happy I didn’t. I found the supernatural part of it a little silly. My first supernatural show was “The Vampire Diaries” and I think supernatural creatures were well made there (maybe because it was my first) and I find all the creatures that are very different from it a bit weird. But this isn’t the only reason. I am going to mostly blame the fact I thought it was weird on the talking cat. Maybe some people found it nice, but not me. Don’t get me wrong, I have nothing against talking cats, but I think animals that speak are more fit in animated movies and not shows like this, nor live action movies. But maybe I took this show too seriously. If I had been prepared for the fact that there was going to be a talking cat, maybe I would have taken it more lightly. But I know now, and it is better late than never. Now I will be prepared for when it comes back.
I am going to be honest, I felt this was a “meh” episode. Not “meh” as in “meh, who cares”, but more like “Did you like it? Meh, it was OK”. I hope it gets better. I will give it a 6.8/10.
Hope my “meh” didn’t pull you away, because I will keep watching and reviewing it next week with episode 102 ”Bad Moon Rising”.
REVIEW: Once Upon A Time in Wonderland, Episode 102
After an episode of questions (a pilot episode tends to do that) it is nice having an episode of answers. In “Trust Me” we find out what Jafar and the Red Queen are up to: they want to gather 3 genies in order to change the laws of magic. It also doesn’t take long to know what these laws are because Cyrus explains them to Alice in a flashback. Cyrus says he can’t kill people (this is only a genie rule and not a law of magic), can’t bring back the dead, can’t change the past (this one is not so strict anymore as you might remember from season 3B of “Once Upon A Time”) and can’t make people fall in love. These are the 3 rules these villains want to be free of, each for their own personal reasons, I’m sure, and those reasons won’t probably take long to be revealed to us.
What is interesting in a villain team up is that they are all constantly trying to be the leader and that is why they usually fail. In the beginning of the episode it is clear that Jafar is the most powerful one and that the Red Queen is just a pawn in his game. He is simply using her to find Cyrus’ genie bottle, making her promises along the way he doesn’t intend to keep. After all, as the Red Queen says, “promises were made to be broken”. But Jafar underestimated the Queen of Wonderland and it doesn’t take long for her to make a stand. She sends Jafar on a wild goose chase, while she and the Rabbit (who she has an upper hand on) go to where the bottle is actually buried, making herself now much more than a pawn in the chess game that is starting to take place.
But Jafar is not the only one making planes, because Alice also makes some of her own. She wants to make 3 harmless wishes (since magic, wishes included, always comes with a price) and then Cyrus will be back to his bottle, which she intends to have by then. But most planes are made to be tossed to the trash and this one is no different. First Alice and Will find a very big lake and, needing help to get through it (since Will can’t swim), they call a fairy, Silvermist. But she isn’t very willing to help (given her past with Will, which she is not as “move on” from as she said) and eventually throws them both into the lake. As luck would have it, they landed close to a little island (convenient, right?) where they rested while trying to come up with something that would allow them to continue their journey. But turned out that they hadn’t used all the luck they had for that day, and the island they were in wasn’t really an island and more of a gigantic turtle. Alice not being one of subtlety, demands the turtle to take them to their destination.
But turned out Alice simply wanted to see who they were up against, because the place they go to wasn’t where the bottle was buried. After finding Jafar digging, Alice and Will go to the place the bottle was actually buried but only find a hole in the ground. The bottle had been taken already. And that is when a message from Cyrus arrives. Cyrus asks Alice to leave Wonderland while she still can’t, but he didn’t have to bother because everyone knew (maybe even Cyrus) that she would never do that. Instead Alice sends him another message: “I’m coming for you”.
This episode also introduced two mysterious character: Anastasia (who is “a tale of heartbreak” for Will) and another prisoner that is trapped in the same dungeon as Cyrus. Keep them in mind because they will be important as the story develops.
I feel like in this episode, in contrary to the previous one, the flashbacks were a little pointless and didn’t add much to the story (not only this episode’s story, but the entire season’s). The only thing that could be called “relevant” we learned in the flashbacks were what the laws of magic are, but that could be easily explained in the present. This being said, I’m glad there weren’t a lot of flashback scenes. They are important and very explanatory in some episodes, but not in this one.
But it was still a good episode and I will give a 7.5/10.
Also keep in mind that Alice isn’t the only one “coming for you”. I will too, so don’t forget to check my upcoming review of episode 103, “Forget Me Not”.
REVIEW: American Gods, Episode 101
As a book lover and a fan of “American Gods”, I know that this show is based on a book with the same name. But as a book lover, my “to-read list” is close to infinite, so I didn’t read this one yet. But I will. Hopefully before S2 starts.
The pilot, entitled “The Bone Orchard”, begins with the main character, Shadow Moon, an ex-con, in prison. He makes a phone call to his wife, Laura Moon, and we find out he is going to be released 5 days after, but Shadow is not all too happy about it because he has a strange feeling that something bad is about to happen. After that, Laura replies with a really interesting quote: “Waiting for the sky to fall is going to cause more bother than the sky actually falling”. Sometimes we worry too much about something that turns out didn’t deserve that much concern and that is what this quote is all about.
The next day Shadow wakes up to find out that his wife had died in a car crash and so they will release him a few days early. And that is when the action begins. He goes to the airport but finds out he has to wait a day to get a flight to the town he lives in. When the time comes, Shadow enters the plane and, because of a mistake with the sits (his was taken) he finds himself in first class, next to a very strange man who calls himself Mr. Wednesday. There, they have an interesting conversation about belief and faith. Wednesday asks Shadow how he thinks the plane flies: for technical reasons or because people want so hard to believe the plane will continue to fly instead of crashing that that is exactly what the plane does. In a show about Gods (old Gods and new ones) it is to expect that faith and belief will get to be an important subject, and the show doesn’t disappoint in that area, since there are some deep conversations about it, and also some scenes that relate to it, like for example the scene we meet the Goddess of Love. This scene was, in my point of view, very weird. I won’t describe it because I wouldn’t even know where I’d begin. But it became obvious that Bilquis was feeding on that man’s belief and worship.
Shadow wakes up on the plane to find out that, because of the storm, the plane had to perform an emergency landing and so he decides to continue his journey by car. He stops in a bar (maybe to stretch his legs) and, call it fate, he finds Mr. Wednesday once again, but this time he isn’t alone. Shadow meets a man who calls himself Leprechaun but, apparently, others call Mad Sweeney. Wednesday offers Shadow a job and, to prove that he will never take it, Shadow shows him a coin and says that if it is heads he will work for Wednesday, but if it is tails Wednesday must stop bugging him with that. After rigging the coin to make sure it is tails, Shadow tosses the coin, but apparently his con tricks have seen better days, because this time it wasn’t tails, meaning that Shadow found himself a job.
After finally getting to Eagle Point and after finding out that his best friend also died in the same crash his wife did, Shadow attends Laura’s funeral. There he finds Audrey (his friend’s wife) and she tells him that they had been having an affair for a while then and that is why they were together in the car. When the funeral was over, Shadow was walking to the motel he and Wednesday were staying in, and he found a very strange object that attacked him. Afterwards, Shadow founds himself in the strangest limousine where he meets a boy (the first New God we find in our screen: Technical Boy, God of technology). After not answering his questions, the God of technology orders his faceless minions to kill Shadow. And that is where I stop understanding what is going on. Technical Boy’s henchmen start beating Shadow, tie a rope around his neck and hung him in a tree. Then there is blood everywhere, the faceless guys start being ripped in half by an invisible force and the rope that was linking Shadow and the tree gets cutted allowing him to survive and fight another day.
Since the devil’s in the details, here are some I liked:
- Maybe it is unfair to describe the very scene of the episode as a detail, but I don’t know what else to call it. In it we see that Gods have been around for a long time and that they love sacrifices in their name;
- Before finding out his wife was dead, Shadow has a dream where he is in sort of a forest full of bones and skulls (maybe this explains the title of the episode). In the dream, Shadow is slapped by a tree. Since trees are supposed to represent life, I feel like the dream means Shadow is about to gets screwed over, since it is never a good sign when life slaps you in the face. It was from this point on that the actions started and that Shadow’s life began to turn in unimaginable ways;
- It was also nice (especially for the ones that are rewatching the season, like me) to see that during Laura’s funeral there was a malfunction in the machine that was lowering her casket, almost like she didn’t want to stay dead.
It was a good start to the show, but I feel like the synopsis they gave to it and to the book has a few spoilers since there is nothing in this episode (or even in other episodes to come) that suggests that this is a show about old and new Gods in the eve of a battle. But it is in fact a great idea to a story, because if what makes a God is people’s belief in him, then Gods we worship today are completely different from the Gods that used to be worshipped. Nowadays we tend to believe more in what we see, so things like information, technology, media… We don’t exactly worship that in a God like way, but we don’t have to.
The special effects in this show are also really good. In this episode this is more present in that last scene, since it doesn’t have many more, but the rest of the season is full of amazing scenarios. We also get to see some great things in the opening of the show (no wonder the show is nominated for Emmy of Outstanding Special Visual and Outstanding Main Title Design).
This was a nice episode, but it wasn’t the best of the season, so I will give it an 8.0/10.
Stay tuned for my review of episode 102 “The Secret of Spoons”.
REVIEW: Once Upon A Time in Wonderland, Episode 101
I don’t really like to compare shows, since one of them always gets downgraded, but I think it is inevitable to compare a spin-off and its main show. When Once Upon A Time in Wonderland started, Once Upon A Time was in its 3rd season (which is, in my opinion, one of its finest) and so I feel like OUATiW was a bit ignored by the fans. Maybe it would have been smarter to make it into a summer show, but what is done is done. In the end I was a bit sad it was cancelled but ultimately not too surprised.
Like the pilot of the main show, “Down The Rabbit Hole” begins with the words “Once Upon A Time”, which in itself often represents the beginning of a great story. There is also something in the beginning of the episode that reminded me of an amazing quote from OUAT. When Alice gets home, she tells her father what happened to her and how she visited a wonderful land (see what I did there?) and, even though he is at first a bit reluctant whether to believe her or not, he doesn’t in the end, which brought me back to 117 of OUAT when Jefferson said to Emma, who was also a non-believer: “Everyone wants a magical solution for their problem, and everyone refuses to believe in magic”. I think this quote kind of sums up the world we live in today, because even though some of us want to believe in something else other than what we have, there are always the ones that will constantly make sure we go back to believing only in what our eyes can see and that is exactly what cuts off imagination and creativity.
[WPGP gif_id=”5930″ width=”600″]
It was also incredible to see that Alice is not a damsel in distress and that she can take care of herself very well when we see that, on her own, she took care of all the employees of the asylum when Will came to her rescue (which turned out to be the other way around).
After the asylum we finally leave our world (not completely, but at least until the end of this episode) and enter Wonderland. I think they built this new world very well, because we are told in Lewis Carroll’s tale that nothing makes sense there. It is true that the special effects and the scenarios behind the characters are awful and evidently fake in some scenes, but it is still nice to see the Wonderland nonsense: dragonflies that are actually mini-dragons, a marshmallow lake, food that makes you smaller and drinks that make you bigger… and that is only some of the few things we see in this premiere, because more nonsense things will continue to arrive to the screen throughout the season.
While we see Alice talking to Dr. Lydgate (who also makes an appearance in S6 of the main show), we see some flashbacks of this young girl going through some adventures trying to prove to her father she is not crazy. While in this, she accidentally meets a guy who is destined to become her true love: Cyrus, the genie. Even though their love seems impossible (since genies are always changing masters and lands) they start having a lot of adventures and have an almost immediate Happy Beginning.
But of course there cannot be heroes without villains and this spin-off introduces two: The Red Queen (who had to be a regular villain, of course, since she is the trouble bringer on the original story) and Jafar (who shouldn’t belong here, since he is in the wrong story, but somehow fits completely). It is always nice seeing a villain team-up. Heroes join forces all the time, so why shouldn’t villains do the same? In the last scene we see Alice and Cyrus together, these villains go to distance to make Alice think her genie is dead. The Red Queen throes him into the Boiling Sea (right after he proposed), while Jafar catches him with a flying carpet (Alice doesn’t see this last part, of course).
The end of the episode is also something I thought was nice. Alice goes to the Mad Hatter’s looking for Cyrus (who was allegedly seen there) but finds nothing but lots and lots of hats (at least inside the house). About to lose hope and control over her tears, she goes outside and finds a necklace that belongs to Cyrus, making the assumption that if it survived, maybe Cyrus did too, right? And that brings us to the best quote of this episode: “When you really love someone, you don’t need proof. You can feel it”. This quote Alice makes is actually a repetition of what Cyrus says in flashbacks when they first meet, but I thought it had more impact in this last scene then on the previous one, maybe because this times Alice is referring to someone who will always believe in her, no matter how absurd she may sound.
Making now the last comparison between shows, it was cool to see that this pilot didn’t end in a major cliffhanger or plot twist, like most pilot episodes do. Instead (like Once Upon A Time’s pilot) it ends with a bit of hope and belief in something that cannot be seen, only felt. In the end of this episode, Alice knows for sure that Cyrus is alive, not only based on a rumor she heard, but also in the love they share (call her mad, but she is right).
Overall, it was a good episode, but better ones are coming our way. That being said, I will give this episode a 7 out of 10.
Hope you guys stick around for my upcoming review of episode 102 of this show entitled “Trust Me”.
TBT: Denver, the Last Dinosaur
Do you remember Denver, the Last Dinosaur?
“Denver, the Last Dinosaur, he’s your friend and a whole lot more…” I clearly remember watching this in the mornings before going to elementary school. I absolutely loved this show and the theme song was too too catchy! A little over 50 episodes were produced, but the show developed a cult fanbase.
Denver, the Last Dinosaur revolved around a group of multiracial California teens and the adventures they have with Denver after they release him from his dino egg. Each show taught a lesson that ranged from conservation to ecology to friendship. Because of that Denver, the Last Dinosaur was a big hit with parents and educators.
The show ran for two seasons. It was nationally syndicated throughout the United States in 1988 with reruns airing until 1990.
Fortunately for fans of the series, you can find the Complete Series on DVD.
TBT: Polly
Do you remember Polly?
On November 12, 1989, NBC aired a re-telling of Disney’s 1960 Hayley Mills classic Pollyanna. This version transposed Eleanor Porter’s classic novel Pollyanna and its white characters into a middle-class black community in the Alabama of the 1950s, and transformed the drama into a show-stopping musical.
The story is timeless. It’s about a “Glad Girl” that brings along a contagious spirit of happiness and optimism when she visits her wealthy aunt one summer.
Keshia Knight Pulliam starred as the “Glad Girl” Polly. Phylicia Rashād was cast as her Aunt Polly. Vanessa Bell Calloway was cast as Nancy, Celeste Holm as Miss Snow and Brandon Adams as Jimmy Bean.
The movie was a sort of family affair. Phylicia Rashād’s younger sister Debbie Allen both directed and choreographed Polly, and was the driving force behind the musical. Debbie also co-wrote with her husband, Norman Nixon, the words and lyrics of the film’s gospel-infused centerpiece, “Stand Up”.
Polly was a ratings hit! Its success prompted Disney to assemble a 1990 sequel, Polly: Comin’ Home!
Here are some of Polly‘s musical numbers:
TBS Renews American Dad!
TBS has renewed the long-running animated series American Dad! for a 22-episode 12th season.
The series relocated to TBS in October after a 10-season run on FOX.
On TBS, the animated series has ranked as one of basic cable’s Top 5 entertainment programs in its time slot among Adults 18-49. It is averaging 3.1 million total viewers for each week’s premiere installment on TVS, plus the encore on Cartoon Network’s Adult Swim.
H/T: TVLine
Parents Television Council Angered by Sons of Anarchy Sex Montage
FX’s Sons of Anarchy has angered the Parents Television Council due to the fact that the basic cable series opened up last week’s episode with a series of sex scenes. The sequence showcased the emotional state of several of the series’ main characters. And for those that were paying attention, it also featured plenty of star Charlie Hunnam’s posterior assets. The montage featured six couples indulging in various sexual acts (and one character was masturbating). It was dubbed “the fucktage” by show insiders.
PTC President Tim Winter: “It’s official: In order to watch cable news, ESPN, Disney or the History Channel, every family in America must now also pay for pornography on FX. Last week’s episode of Sons of Anarchy opened with the most sexually explicit content we’ve ever seen on basic cable, content normally found on premium subscription networks like HBO or Showtime … If FX wants to be like HBO and air this kind of explicit content, then they should become a premium network … Families should not be forced to underwrite pornography. Cable Choice is a solution whose time has come, and there could hardly be a better example of it than this.”
It’s worth mentioning that Sons of Anarchy airs at 10pm ET and that FX runs a TV-MA advisory warning before the show (and after every commercial break).
H/T: Inside TV @ EW